Gabriele Basilico Prize in Architecture and Landscape Photography
28 January 2016 - 12.00 noon
Fondazione Riccardo Catella Via G. De Castillia 28, Milan
The young Russian photographer Maria Gruzdeva has been pronounced the winner of the first edition of the Gabriele Basilico Prize. Dedicated to the internationally renowned architecture and landscape photographer, the Prize aims to become an important point of reference for the research and experimentation of visual languages amongst the new generations, with whom Basilico had always cultivated constructive dialogue.
The jury declared Maria Gruzdeva the winner from amongst a group of six finalists for her project devoted to the transformations presently taking place in the Georgian town of Tkvarcheli. Gruzdeva's photographic analysis focuses on what remains of the city and its inhabitants now that the coal mines, on which its industrial economy was based, have been closed. The work of the young artist is collected in a book that will be published in 2016. It contains a series of images documenting the present urban landscape, portraits of the town’s inhabitants, and archival materials, in a reflection on the history of the city and the changes taking place.
Having collaborated closely with Gabriele Basilico since the early 1980s for the realization of important cultural projects, exhibitions and publications, UniFor is proud of its role as technical sponsor of the prize in the great photographer’s memory.
Ordine degli Architetti P.P.C. of the Province of Milan
Studio Gabriele Basilico, Milan
Fondazione Studio Marangoni, Florence
With the patronage of
Fondazione La Triennale di Milano
Fondazione Catella, Milan
Fondazione Mast, Bologna
Museo di Fotografia Contemporanea, Cinisello Balsamo-Milan
Museum of Modern Art, San Francisco
Politecnico di Milano
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Three Touch Down Units - the innovative autonomous workstation designed in collaboration with Studio Klass and presented during the Milan Design Week at Palazzo di Brera on the occasion of the 50th Anniversary of the Company - are positioned on the platform in correspondence with the window.
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An abstract configuration of a contemporary work environment that establishes, in the distinctive sign of the Israeli designer, a connection between the idea and design of industry and confirms the tradition of the UniFor windows, which over the time have become a means of communicating a precise company identity, a confirmation of the circular prophecy made by Gio Ponti on the eve of the birth of industrial design: if in those days the world of art was in love with industry, now it is industry that has declared its love for art.
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