Fondazione Giangiacomo Feltrinelli
13 December 2016
The Feltrinelli Porta Volta complex plays an important role in a strategic area of Milan that has been involved in a far-reaching process of urban regeneration in recent years. The twin buildings that host the Fondazione Giangiacomo Feltrinelli and the offices of Microsoft Italia were inspired by the simplicity and impressive scale of Milan's historic architectural landscape. They present a rhythmic, linear layout, together with steeply pitched roofs that integrate perfectly into the facades.
For this important project, UniFor provided the furnishings and partition systems for the three upper floors, including both series products and custom works conceived specifically for the unique spaces by Studio Herzog & de Meuron in collaboration with Coima Image. In particular, the two floors devoted to offices are defined by full-height partition walls adapted to the project specifications, with structure in natural-finish aluminum fixed at the ceiling and glazed paneling inserted in guides concealed in the raised flooring.
Events | 2020.08.06
UniFor @ Paris Design Week
UniFor presents a new multimedia window, curated by Ron Gilad, for the Paris Design Week in its showroom in 6 Rue des Saints Pères.
Events | 2019.09.15
UniFor will take part at WORKSPACE, the largest commercial interior design event in the Middle East. The which will take place in Dubai from 17th to 10th September.
This year WORKSPACE will also be part of Middle East Design and Hospitality Week (MEDHW), the biggest celebration of design and hospitality in the Region.
Events | 2019.09.06
New Opening - UniFor Showroom Paris
On the occasion of its 50th anniversary, UniFor is restoring and renewing the historic showroom of its French branch, designed by Afra and Tobia Scarpa in 1979. The newly renovated spaces has been inaugurated during Paris Design Week, in celebration of both UniFor’s first 50 years - the history of which is illustrated in a prestigious book published by Skira, “UniFor. A Commitment to Architecture” - and its 40 years on the French market at its historic and prestigious Paris location on Rue des Saint-Peres. It was 1978 when the Molteni family founded UniFor France and entrusted Afra and Tobia Scarpa with the task of transforming the former residential apartment at 6 Rue des Saints-Pères into spaces suitable for receiving its clients and presenting the UniFor collection. The showroom was launched the following year. The renovation project, overseen by the architect Simone Agresta, leaves Afra and Tobia Scarpa's original project intact while reinterpreting the spaces in a modern key
Events | 2019.07.31
Design the Workspaces of the future
UniFor has always supported major cultural initiatives and wide ranging, particularly related to the evolution of the contemporary office space, in a path characterized by intense research and experimentation for a continuous improvement of the product, attentive to the world of design, architecture and design.
Events | 2019.07.24
Lights on Smart Working
A new installation curated by Ron Gilad and featuring Touch Down Unit for the windows dressing of the UniFor Showroom in Milan, in Corso Matteotti 14.
The historic flagship store, designed in 1989 by Afra and Tobia Scarpa, continues to be a point of reference and thanks to this installation it is once again the most efficient space to display the latest innovations.
Three Touch Down Units - the innovative autonomous workstation designed in collaboration with Studio Klass and presented during the Milan Design Week at Palazzo di Brera on the occasion of the 50th Anniversary of the Company - are positioned on the platform in correspondence with the window.
Around them are recognizable archetypes of furniture: a chair, a stool, a wardrobe, a sofa, reduced to pure geometric lines, which reveal in the dark, thanks to a special blue and orange fluorescent paint, unexpected plays of light.
An abstract configuration of a contemporary work environment that establishes, in the distinctive sign of the Israeli designer, a connection between the idea and design of industry and confirms the tradition of the UniFor windows, which over the time have become a means of communicating a precise company identity, a confirmation of the circular prophecy made by Gio Ponti on the eve of the birth of industrial design: if in those days the world of art was in love with industry, now it is industry that has declared its love for art.